CFP : Queers & Trans* Aesthetics

Publié le 9 janvier par Institut du Genre

For a special Issue of The Black Scholar, full manuscript submissions due by February 1, 2018.

The 21st century marks a turn for centralizing queer and trans* lives, bodies, and activism in the broader work for Black liberation, representation, and aesthetics. From the central leadership of queer Black women who founded the US-based #BlackLivesMatter movement to the art-activism of South African artist Zanele Muholi to queer imams and bishops to the renaissance of black independent filmmaking such as Tangerine (2015) and "Auntie" (2012), Black queer and trans* lives are no longer ancillary or adjacent to global conversations on Black life. Though the specter of queerness and transness differs by geography, politics, language, public life, infrastructure, and so on, Black queer and trans* people are redefining their intersectional lives and loves away from mainstream White Gay Inc. global movements that are often concerned, primarily, with securing state-based financial benefits related to relationship recognition.

Although there has always been work on Black queer and trans* genders and sexualities and aesthetics, scholars are publishing cutting-edge, vibrant work on this topic including, Ellison, Green, Richardson, and Snorton’s special issue of Transgender Studies Quarterly/TSQ called "The Issue of Blackness," Stalling’s Funk the Erotic (2015), Woodard’s The Delectable Negro (2014), Snorton’s Nobody is Supposed to Know (2014), McCune’s Sexual Discretion (2014), Bailey’s Butch Queens Up in Pumps (2013), Ellis’s Territories of the Soul (2015) and others that make Black queer and trans* lives the epicenter of their work.

Following the tireless work of James Baldwin, Audre Lorde, Combahee River Collective, Bayard Rustin, Barbara Smith, Marlon Riggs, and many other of our intellectual and artistic antecedents, the editors of this special issue seek to engage with scholars, artists, and writers around the various movements—recognized and covert, legal and fugitive, funded and gratis— that reflect the robust and divergent ways Black queer and trans* people are reframing and reshaping their countries, art fields, scholarly fields, communities, religious groups, and other spaces and places.

Rather than consciously defining themselves against antagonistic white mainstream gay movements and resistant black social justice movements, Black queer and trans* people have made their own movements which have eclipsed or entered the mainstream consciousness to varying degrees.

We seek essays that map Black queer and trans* lives in relation to :

Aesthetic forms
Community organizing
Guerilla tactics
Passing and subversion
Politics of Black love
Global South, "third world," and other worldly formations
Radical interracialism
Black futurity
Black pessimism
Black Philosophy
Africana aesthetics and traditions
Black Lives Matter
"Got 2 B Real"
Blackness and Religion
Queerness, Transness, and Pop Culture
Trans* Blackness and Trans media
Sex work
Queer and Trans* Africanness
Caribbean Studies/Culture and Queer and Trans*
Carnival/Caribana/CropOver/Mardi Gras
The Black Literary Tradition
Pop Matters
Mass Incarceration and Policing
Traveling while Black & Trans*/Black & Queer
Black Trans* and Queer art worlds
Afro Latinidad and Queerness and Transness
AfroAsian Queer and Trans* Aesthetics
debate on uses of "queer" and "trans*"

Submission Guidelines
Submissions to TBS must be original, unpublished work not under consideration for publication elsewhere. To make sure your submission is processed as smoothly as possible, please review our general guidelines on The Black Scholar website here. Any submissions that do not adhere to our guidelines will be returned.

For this issue, full-length manuscripts for peer review should range in length from 4,000-4,500 words. Our peer review process takes about 2-3 months.

We require electronic submissions, in Word format, only. To submit articles, please go to

Because we strive for a public, Black/Africana Studies and interdisciplinary space of intellectual exchange, we discourage highly specialized or professional language and encourage open, argumentative work that is well written. Strive for an essayistic tone and target your submission to an engaged, educated, but general audience.

All full manuscript submissions due by February 1, 2018. Issue is slated for publication in Spring of 2019.

For questions, please email the Guest Editors at :

Shanté Paradigm Smalls [smallss AT]
Elliott H. Powell [ehpowell AT]